In Memory of a Rabbit and Other Love Tigers

In Memory of a Rabbit
Acrylic on canvas, 1995, 36" x 48"

I create my artwork in series and these series can last a few years or a few months. I worked on my Love Tiger series from 1994-1997, producing many paintings and drawings on the subject of the Love Tiger and hidden identities. The Love Tiger series was inspired by a Mexican folk costume that I bought in Mexico. This costume was created out of a painted canvas jumpsuit and a large carved wooden mask with mirrored eyes, boar's hair, and teeth. It represented many things to me. The idea of how a costume is used to conceal and at the same time to express an ideal was very interesting to me. My tiger paintings became a visual metaphor for how we wear culture or express our identity. We all wear costumes of some kind to express our culture and beliefs or simply to change our identity for a short while, and the narratives of these paintings represented this for me. My Love Tigers on the surface looked to be passive and beautiful with their bright colors and hearts painted in their eyes, but they were also aggressive and dangerous with their sharp teeth that could bite. At the time I was working on my tiger paintings, I was working as an artist-in-residence at Patton State Hospital for the criminally insane in San Bernardino, California. I had been awarded a California Art Council grant to work with the patients at Patton, and I found the situation of teaching art in a mental hospital very interesting and unique. One day we had the patients work on paper bag puppets as their project for the day. Their therapist asked the patients to hold up their puppets and talk about what their puppets were
about. These patients were withdrawn and silent during this art workshop and had been isolated from the rest of the hospital because they could not cope with the other patients. They were considered fragile. As they stood up and talked about their puppets, I became aware that they were talking about themselves through their puppets. I began to think about them as Love Tiger subjects and how they used the puppets to describe the reality of their identity in Patton. One of the patients held up his puppet and said, "In memory of rabbit, who was locked up in a cage and had no friends, he had no mate and he died." I was moved but at the same time inspired by the sadness of this patient's words. I made several large drawings of Love Tigers standing with paper bag puppets on their hands, but this is the only painting I created from this experience at the hospital.

Senor Love Tiger

Gentilman Love Tiger

Communion Girl Love Tiger

Lady Love Tiger